A Glimpse inside the texas chainsaw acoustic hour

Greetings.  I have had several folks ask how I "plan" my programs.  Some time
in the near future, I'll talk about the philosophy of doing a radio program. 
For now, I offer the following:

Today we'll take a "live" peek into the studio and see how the stuff
of doing an episode works.  This is a completely unedited running
commentary of the program...

Today's kick-off was set up by a release  disc  I previewed yesterday by the
Loose Acoustic Trio.  I threw a few polka-related albums in the big blue bag o'
discs this morning.  About thirty seconds before air time,  I chose the Brave
Combo piece (it's short and familiar)as the opening.  The Polka Dogs are
Canadians I discovered on a trip to Vancouver and Victoria years ago.

It's now ten minutes after the hour as I key.  Time for a voice break and the
next set must be considered.  I am featuring the Loose boys today as I don't how
much time they'll see in the upcoming weeks.  Will kick off the next set with
them.

Oops.  Forgot to start the station log...The second Loose track is about
marriage.  I don't really do themes but sometimes I'll take a chance with song
titles and see what happens...   I now realize this is not the Loose song I
intended to playbut it's what I have to work with.  Again, knowing that this
disc would figure into today's mix, I packed a number of period discs...went
searching for marriage-related stuff and came up lucky...Also cringe a bit when
I do the double entendre pieces...used to have several listeners who had young
ones by the radio receivers.

Time to get going on the next set...wanted to work some Jelly Roll Morton in but
it doesn't seem to work...okay it does.  The Broonzy track is piano-based.  And
now a phone call.  Adding this running commentary is going to be tougher than I
thought.  From Morton to Dave Van Ronk who I suspect would be happy to be in a
set with Morton.  Needed more blues so I went with the live Bookbinder. 

Should be thinking about timing out to the top of the hour but I just realized I
packed the Von Schmidt disc because I wanted to play it today.  Sticking with
the titles theme,  the choice from this disc becomes obvious. 

Must be a blues morning...I keep hearing pianos in my head so I will try to head
in that direction.  Should I go over the top of the hour???  If I don't,  won't
be able to sneak in a Keith Jarrett piece (because I was reading an old Down
Beat with an article on him)...Oh well.  The Burr piece was the solo from the
Alison Brown show I was at last week.  John's a great guy and he has an
entertaining young son named Linus who I almost wound up babysitting during the
concert. 

Just noticed that the two control room clocks are in significant disagreement. 
If I go by the slow one, I am okay for the top of the hour.  Guess which one
wins. 

Done with a nice phone chat with a caller...I really should be more, "get to the
point, caller" but, hey, this program is my so-called social life.  It's
important to hear from listeners  a) so I know someone is really out there  b) 
so I can occasionally steer the sets in preferred directions  c)  because it's
my social life.
So call in everybody!

Quick break to load the top of the hour stuff and to catch up on the studio log
which I am falling way behind on and have now gone to a shorthand that I hope I
can figure out after the show.

Just remembered that I am forgetting to take meter readings (required technical
stuff)...jotting a quick note to myself to do it sometime in the next ten
minutes.

Hour two:  I often joke about the porgram skewing older...The Donovan disc (a
radio edition of what I suspect is a box set just arrived this week...Never a
big fan but it will resonate with some of my listerners...Following up with some
Cave for the younger generation.  This also becomes a political set of sorts...I
don't think with an  overt political voice on the program but folks are free to
seek their own meanings from the stuff presented. 

Finally did an on-air cough...throat is starting to go...hour two second
segment...I don't have a clear plan but I know that I was planning on a little
new age tease with the new Aine Minougue...

Took a quick break to search for some inspiration...searched the station racks
for ideas, but have decided that the dependable big blue bag o' music is the
place to stay...oh yeah, those meter readings.  Time to get to them.

Went a bit preachy in the last voice-over, influenced by an article I read this
morning on  an commentary/edict? from the Vatican that science and religion
should listen to each other and from bits of the Larry King interview with
President Carter.  The message is the one I give to all my students: Listen and
consider.  Be open.  Give me presents.

Another fine call comes in during the Minogue piece.  Will try to fit in a
request that goes far afield from where I am headed...

One minute left in the track and I need to decide what to follow with...Lots of
flute here, maybe I can make a Celtic/Native American tie with a touch of Nakai. 
The combination of Paul Horn and Nakai on varied flutes was fun.  Didn't know if
I could get there or not but it transitions well into an Ellington piece I
checked out from the public library...flute based and with a drum that may have
a hint of Native American influence.  Take a call from a listener wanting to
know more about the Minogue disc.  This is what radio is about:  hooking up
listeners with new stuff.

Gotta rush into another set..no ideas how to follow this.  Worry?  No.  Just
will call for a chainsaw (non) transition...

Believe in premonitions?  Stuck in the Haden/Methany piece because I wanted to
hear some bass.  A caller is on the line while I am voicing over.  Wanted to
hear some Tom Waits to honor the bass player in his band who had died in his
sleepthis week...Pulled this track from the racks (limited Waits selection
available) and added more Haden from the jazz stack housed in the hallway
outside the studio.  Sometimes radio is physical.

Totally out of sorts from the call...Still trying to work in the Elliott
request...Had to run downstairs to let the next programmer in...thirty seconds
and no track cued.

need to sign off temporarily...we are in the program transition phase.  Actually
one of favorite parts of the program.  Sharing the sillies  is much better than
trying to amuse oneself (and helps avoid playing the same program promo we've
been using for three years).  back with the wrap-up soon.

Hello, again.  Decide to fill (kill) time with talk so I could end things with
the Ramblin' Jack request.

All that's left is to complete the paperwork, refile the station discs, repack
the big blue bag o' discs and get ready to do it all over in 166 hours.

the host